Véu De Noiva (Trilha Sonora Original Da Novela)

Luís Mainzl da Cunha Eça (April 3, 1936 – May 24, 1992) was a samba and bossa nova pianist from Rio de Janeiro, Brazil, who was a member of the Tamba Trio with Helcio Milito and Bebeto Castilho. Trained as a classical pianist, Eça created a formal, but stunning approach to bossa nova classics such as "The Hill" by Antonio Carlos Jobim and works by Edu Lobo. His song "The Dolphin" is considered a jazz standard and has been recorded by Stan Getz, Bill Evans, and Denny Zeitlin. The Tamba 4 group included Otávio Bailly, who replaced Bebeto.

== Discography ==

Cada Qual Melhor! (Odeon, 1961)

Rio (Columbia, 1964)

Bossa Nova for Swingin' Lovers (London Globe, 1965)

Luiz Eca & Cordas (Philips, 1964)

Brazil 70 (Philips, 1970)

Piano e Cordas Volume II (Elenco, 1970)

Luiz Eça & Sagrada Familia - Onda nova do Brasil (Vampisoul, 1970)

Vanguarda (Odeon, 1972)

Antologia do Piano (Philips, 1976)

Patapio Silva (Funarte, 1980)

Luiz Eca (Carmo, 1983)

Triangulo (Carmo, 1985)

Pra Tanto Viver (Continental, 1986)

Ensemble, Duas Suites Instrumentais de Luiz Eca (Cantabile, 1988)

Encontro Marcado (Line, 1992)

No Museu de Arte Moderna (Imagem, 1993)

== References ==

Source: Wikipedia ↗

No biography available for this artist.

No biography available for this artist.

No biography available for this artist.

Roberto Menescal (born October 25, 1937) is a Brazilian composer, record producer, guitarist, vocalist, and pioneer of bossa nova. In many of his songs there are references to the sea, including his best-known composition "O Barquinho" ("Little Boat"). He is also known for work with Carlos Lyra, Nara Leão, Wanda Sá, Ale Vanzella, and many others. Menescal has performed in Latin music genres such as bossa nova, samba and MPB. He was nominated for a Latin Grammy for his work with his son's bossa group Bossacucanova in 2002, and received the 2013 Latin Recording Academy Special Awards in Las Vegas in November 2013.

== Career ==

In 1957, he worked as sideman for Sylvia Telles in Brazil. A year later he started a guitar school with Carlos Lyra. He formed one of the earliest bossa nova bands with Bebeto, Henrique, João Mário, and Luís Carlos Vinhas. He spread bossa nova through performances and concerts in the late 1950s and early 1960s, such as the I Festival de Samba Session. Alaíde Costa recorded Menescal's song "Jura de Pombo" in 1959. "O Barquinho" was recorded the next year by Maysa, Paulinho Nogueira, and Perry Ribeiro. He sang "O Barquinho" at Carnegie Hall in 1962 when he attended the Bossa Nova Festival with Carlos Lyra and Antonio Carlos Jobim. During the middle to late 1960s, he was an arranger and record producer for PolyGram, producing music for Maria Bethânia, Gal Costa, Gilberto Gil, Jorge Ben Jor, and Caetano Veloso. In 1970, he became the talent scout for PolyGram. He composed music for movies and television and was a sideman in the studio for Nara Leão, Elis Regina, Jair Rodrigues, and Claudette Soares. In the 1980s, he concentrated on a solo career, recording with jazz saxophonist Joe Henderson. He owns the record label Albatross.

== Discography ==

A Bossa Nova (Elenco, 1963)

The Boy from Ipanema Beach (Kapp, 1965)

O Conjunto De Roberto Menescal (1969)

Um Cantinho, Um Violão (Philips, 1985)

Swingueira (Albatroz, 1996)

Bossa Evergreen (Albatroz, 2000)

Brasilidade (Six Degrees, 2001)

Bossa Entre Amigos (Albatroz, 2003)

Bossa Jazz Session with Eddy Palermo (Albatroz, 2003)

Bossa Zen (Albatroz, 2003)

Eu & Chis with Cris Delanno (Albatroz, 2003)

Jazz Zen (Albatroz, 2004)

== References ==

Source: Wikipedia ↗

Elis Regina Carvalho Costa (March 17, 1945 – January 19, 1982), known professionally as Elis Regina (Brazilian Portuguese: [eˈliz ʁeˈʒĩnɐ]), was a Brazilian singer of bossa nova, MPB and jazz music. She is also the mother of the singers Maria Rita and Pedro Mariano.

She became nationally renowned in 1965 after singing "Arrastão" (composed by Edu Lobo and Vinícius de Moraes) in the first edition of TV Excelsior festival song contest and soon joined O Fino da Bossa, a television program on TV Record. She was noted for her vocalization as well as for her interpretation and performances in shows. Her recordings include "Como Nossos Pais" (Belchior), "Upa Neguinho" (E. Lobo and Gianfrancesco Guarnieri), "Madalena" (Ivan Lins), "Casa no Campo" (Zé Rodrix and Tavito), "Águas de março" (Tom Jobim), "Atrás da Porta" (Chico Buarque and Francis Hime), "O Bêbado e a Equilibrista" (Aldir Blanc and João Bosco), "Conversando no Bar" (Milton Nascimento), "Alô, Alô Marciano" (Rita Lee and Roberto de Carvalho).

Her death, at the age of 36, shocked Brazil.

== Biography ==

Elis Regina was born in Porto Alegre, where she began her career as a singer at an early age on the children's radio show Clube de Guri. In her early teens she signed a record contract and a couple years later traveled to Rio de Janeiro, where she recorded her first album. She won her first festival song contest in 1965 singing "Arrastão" ("Pull the Trawling Net") by Edu Lobo and Vinícius de Moraes, which made her the biggest selling Brazilian recording artist since Carmen Miranda. Her second album, Dois na Bossa with Jair Rodrigues, set a national sales record and became the first Brazilian album to sell over one million copies. "Arrastão" increased her popularity because the festival was broadcast via TV and radio. The record represented the beginning of música popular brasileira (Brazilian popular music) and contrasted with bossa nova. In the late 1960s and early 1970s, she helped popularize tropicalismo with Gal Costa, Gilberto Gil, and Caetano Veloso.

In 1970 she had her first son with first husband Ronaldo Bôscoli. Later on she had two more children with musician Cesar Camargo Mariano.

Regina was nicknamed "hurricane" and "little pepper". She moved to Rio shortly before the 1964 Brazilian coup d'état which established the subsequent military dictatorship in Brazil. Although her popularity protected her from reprisal when she criticized the regime while on tour in Europe, she was threatened with imprisonment unless she sang the Brazilian national anthem at an event honoring the anniversary of the coup. In the 1970s she recorded the album Elis and Tom in Los Angeles with Antonio Carlos Jobim. In 1982 she was starting her third marriage when she died from a combination of alcohol and cocaine at the age of thirty-six.

== Death ==

On January 19, 1982, Regina died at the age of 36, from cardiac arrest, after consuming vermouth, cocaine and tranquilizers. More than 15,000 fans attended a musical wake in the Teatro Bandeirantes in São Paulo. She was buried in Cemitério do Morumbi.

== Legacy ==

On August 18, 1997 Regina was posthumously awarded with the rank of the Order of Prince Henry of Portugal.

In 2005, a memorial space was opened at the Casa de Cultura Mario Quintana in Porto Alegre, Brazil to house the Elis Regina Collection. The space exhibits audiovisuals, CDs, articles and other media materials and documents about the life and work of Regina.

Regina was portrayed by Andréia Horta in the 2016 movie "Elis" directed by Hugo Prata.

== Discography ==

=== Studio albums ===

=== Live albums ===

==== In life ====

==== Posthumous ====

=== Compilation albums ===

==== Posthumous ====

== References ==

== Further reading ==

Arashiro, Osny (1995). Elis Regina por ela mesma. M. Claret.

Echeverria, Regina (1985) Furacão Elis. Inclui cronologia e discografia por Maria Luiza Kfouri. Rio de Janeiro: Nórdica / Círculo do Livro. 363p. 2.ed. rev. ampl. 1994 (São Paulo: Ed. Globo); 3.ed. 2002 (São Paulo: Ed. Globo). 239p. ISBN 85-250-3514-9

Goés, Ludenbergue (2007). Mulher brasileira em primeiro lugar: o exemplo e as lições de vida de 130 brasileiras consagradas no exterior. Ediouro Publicações. ISBN 85-00-01998-0.

Kiechaloski, Zeca (1984) Elis Regina. Col. Esses Gaúchos. Porto Alegre: Tchê! 101p.

Pugialli, Ricardo (2006). Almanaque da Jovem Guarda: nos embalos de uma década cheia de brasa, mora? (in Portuguese). Brazil: Ediouro. ISBN 9788500020735.

Sarsano, José Roberto. (2005) Boulevard des Capucines. Teatro Olympia, Paris 1968: Elis Regina e Bossa Jazz Trio em uma época de ouro da MPB. Ed. Árvore da Terra. 207p. ISBN 85-85136-29-4

Silva, Walter (2002). Vou te contar: histórias de música popular brasileira. Conex. ISBN 85-88953-05-6.

Elis Regina Por Ela Mesma. (1995) Org. Osny Arashiro. São Paulo: Martin Claret. 2.ed. rev. 2004. 229p. ISBN 85-7232-085-7

O Melhor de Elis Regina. (2003) Melodias cifradas com as letras de 28 músicas do repertório de Elis Regina. Ed. Irmãos Vitale. 112p. ISBN 85-7407-088-2

== External links ==

"Elis Regina". Find a Grave. Retrieved September 3, 2010.

Elis Regina: The Voice of Brazil at MisterLUCKY Music at the Wayback Machine (archived 26 September 2010)

Chronology (English) from Furacão Elis The biography by Regina Echeverria at the Wayback Machine (archived 25 April 2012)

Source: Wikipedia ↗

Joyce Moreno (born 31 January 1948), commonly known as Joyce (Brazilian Portuguese: [ˈʒojsi]), is a Brazilian singer-songwriter and guitarist.

The first record of her work as a singer dates back to 1964, when she participated in a vocal quartet in a studio recording of the album Sambacana, by Pacífico Mascarenhas. Four years later, she released her first solo album, Joyce, on the Philips label, signing alone the authorship of five of the ten songs on the album, in addition to a partnership with musician Jards Macalé. She has since produced 45 more discs and two DVDs, has written nearly 400 songs, and also has four nominations for the Latin Grammy Awards (2000, 2004, 2005 and 2010). Since the beginning of her career, her trademarks have been a feminine language in the first person and her guitar skills. As a composer, Joyce Moreno has songs recorded by nearly all the greatest names in Música popular brasileira—including Elis Regina, Maria Bethânia, Gal Costa, Milton Nascimento, Edu Lobo and Elizeth Cardoso—and by such foreign artists as Annie Lennox, Omara Portuondo, Claus Ogerman, the Black Eyed Peas, Gerry Mulligan, and Wallace Roney. Her creations are also featured in two film soundtracks: Robert Altman's 1992 The Player and Robert Luketic's Legally Blonde. She participated on the soundtrack of Japanese anime series Wolf's Rain, for which her work was included as part of the official soundtrack.

== Early childhood ==

Moreno's paternal grandfather was a Swede, from Karlskrona, who moved to Copenhagen and married a Danish woman. Their son, Joyce's father, moved from Denmark to Brazil and married a Brazilian woman, Joyce's mother.

== Career in Brazil ==

In Brazil, she has become initially known in 1967, a year before releasing her first album, when she performed her song Me Disseram at the II International Song Festival (RJ), but the peak of her popularity happened in the early 1980s, when she presented "Clareana", a song she wrote dedicated to her two infant daughters, at TV Globo's Brazilian Popular Music Festival. The song was a hit across the country and appeared on her 1980 album Feminina, which also included other hits such as the title tune ("Feminina"), "Mistérios", "Da Cor Brasileira" and "Essa Mulher". From then on, she has released a series of albums with her own original compositions, recorded in Brazil and abroad; albums dedicated to the works of Vinicius de Moraes, her artistic godfather, Tom Jobim, Elis Regina and Dorival Caymmi; and many recordings in partnership with other musicians.

== International career ==

Still in the 1980s, she had a first presence on the international circuit, when, replacing guitarist Toquinho, she performed with the poet Vinicius de Moraes on tours throughout Latin America and Europe. It was a period in which she recorded albums in Italy and the United States, during a season of concerts in New York, in 1977. In 1985, she was invited to participate in the Youth Festival, in Moscow, and the Yamaha Festival, in Japan, starting a solid career abroad that involves annual tours in several countries in Europe, Japan, the United States and Canada - a schedule that reconciles with performances in Brazil.

In 2004, she was awarded in the United States with the Lifetime Achievement International Press Award, given by the press to personalities who disseminate a positive image of their countries abroad. Three years earlier, for the same reason, she had received the key to the city of Johnstown, Pennsylvania (US). In 2015 she entered the list of honored artists by the Berklee College of Music, in Boston, US, having her work arranged and performed by graduates and presented in a large concert at the university's theater. At the time, she received honors from the Boston City Council and the Massachusetts State Assembly for her contribution to Brazilian culture and for promoting this culture internationally. Joyce is also an educator, conducting workshops and master classes about her music and MPB at universities in several countries.

In the early 1990s, her work became increasingly popular among London DJs, which led to new audiences around the world in the acid jazz scene.

It was in the debut edition of the Latin Grammy, in 2000, that Joyce Moreno received her first award nomination, in the category Best Brazilian Music CD, with the album Astronauta: Canções de Elis, a tribute to Elis Regina recorded in 1998, in New York. Four years later, it was the turn of the samba A Banda Maluca to appear among the candidates for the award for Best Song in the Portuguese Language. In 2005, the CD Banda Maluca was nominated in the Best Brazilian Popular Music Album category. The fourth nomination for the Latin Grammy, also for best Brazilian music CD, occurred in 2010, with her album Slow Music.

== As a writer and television personality ==

As a journalist who graduated in the late 1960s, in 1997 Moreno published the book Fotografei Você na Minha Rolleiflex, which brought together stories experienced by the artist behind the scenes of Brazilian popular music. Due to the repercussion of this work, between 1998 and 2000, she started to sign a weekly chronicle in the Rio newspaper O Dia. In addition, for ten years (2006-2016) she wrote about life experience, travel and music in her blog 'Other Bossas'.

Soon after publishing her book, she started to create and present television programs for MultiRio, the public TV channel of the City of Rio de Janeiro. In 1999, she released Cantos do Rio ("Rio Corners"), a series in which she mapped the city and its music, interviewing composers and performers in their neighborhoods of reference and musical inspiration. In 2010 it was the turn of the series No Compasso da História (“In The Beat of History”): 15 documentaries in which the History of Brazil is told through MPB songs. Two years later, the project Pequenos Notáveis (“Remarkable Kids”) was presented, in which he addressed the childhood of some of the greatest composers of Brazilian music.

== Second book and later works ==

In November 2020, Joyce published Aquelas Coisas Todas, her second book of memoirs, edited in two parts. Part One is the updated version of Fotografei Você na Minha Rolleiflex, while in Part Two, Tudo é uma Canção, the artist presents new stories based on the idea that MPB "has an answer for everything". In a report about the release, the Estado de Minas newspaper highlighted: "Manifestations against the dictatorship, travels, festivals, growing musical movements, such as bossa nova and Tropicália, misunderstandings and confusions between artists that would eventually go down in history. When something like this happened, Joyce Moreno was there".

The book had great repercussion in the national press and was the basis of a four-chapter miniseries presented on SESC 24 de Maio's YouTube channel, in which the artist approaches texts from the book with complementary accounts and interpretations of songs related to the stories.

In parallel, the record company Pau Brasil released in digital format the album Fiz uma Viagem - Songs of Dorival Caymmi, recorded in 2016 in Norway and released in Japan the following year. In this work, Moreno interprets the songs of the composer from Bahia accompanied by bassist Rodolfo Stroeter, also producer of the album, by the pianist Hélio Alves and by Tutty Moreno, who played drums and percussion.

Joyce was married in the early 1970s to musician and composer Nelson Angelo, with whom she has two daughters who are also singers, Clara Moreno and Ana Martins. Since 1977, she has been married to drummer Tutty Moreno, father of her daughter Mina Mae (originally named as Mariana). Tutty has since then been a steady presence in Joyce's life as a stage and recording partner.

== Discography ==

== References ==

== External links ==

Joyce Moreno – official site (in English and Portuguese)

Joyce discography at Discogs

Feminina, detailed review of her 1980 album (including socio-political context) at Tiny Mix Tapes

Source: Wikipedia ↗

No biography available for this artist.

Wilson das Neves (June 14, 1936 – August 26, 2017) was a Brazilian percussionist and singer from Rio de Janeiro, Brazil. He was a key figure in the history of Brazilian music, having played with many of Brazil's greatest musicians across many decades and featured on numerous important recordings. Wilson was a very important artist specially for Brazilian popular music as a sambista, composer, and instrumentalist, with over 50 years dedicated to music. He can be heard in over 600 records from major Brazilian artists.

== Life and career ==

=== Early life ===

Das Neves grew up in Rio de Janeiro in the 1940s and by the age of 14 was already learning his trade as a percussionist, studying under Moacir Santos. At the age of 21 he went on tour with "Orquestra de Permínio Gonçalves" and in 1959 he played with the Ubirajara Silva's group. In 1962 he got a place on National Radio where he stayed for a year before being offered to play with the Orquestra Sinfônica do Theatro Municipal do Rio de Janeiro, with whom he stayed until 1964. He then worked for the TV stations, spending time at Excelsior, Globo and Rede Tupi. He also contributed to recordings by Astor Silva and the Conjunto Ed Lincoln.

=== Career ===

In 1964, Wilson das Neves recorded with Os Ipanemas, a band with Astor Silva (trombone) Marinho, Rubens Bassini (percussion) and Neco (guitar). They released only one album in the 1960s which has achieved cult status. It was released in 1964 and features a mix of bossa nova, Brazilian samba, African rhythms and jazz.

During his career das Neves worked with many great international artists including Sarah Vaughan, Toots Thielemans, Sy Oliver and Michel Legrand. In Brazil he played with key musicians from the MPB movement such as Roberto Carlos, Chico Buarque, Eumir Deodato, Elizeth Cardoso, Clara Nunes, Elza Soares, Elis Regina, Alcione and Beth Carvalho. He also appeared alongside Copinha at the Monte Carlo Casino.

Wilson das Neves released his first album in 1968 Juventude 2000 and went on to record Som Quente É o Das Neves (1969 and 1976), Samba-Tropi – Até aí Morreu Neves (1970) and his first real solo album O Som Sagrado de Wilson das Neves (1997).

=== Recently ===

Wilson das Neves recently appeared as a member of the 19 piece Gafieira Orquestra, Orquestra Imperial playing on their 2006 album Carnaval Só Ano que Vem. He also played with his former band Os Ipanemas. The band reformed in 2001 with some of the original line up and released three albums on London based Far Out Recordings The Return of The Ipanemas followed by 2003's Afro Bossa and Samba Is Our Gift (O Samba É Nosso Dom) in 2006 with another album planned for 2008.

In 2011 he released his third and praised album as a singer-songwriter named 'Pra Gente Fazer um Samba' in Brazil and Europe. He was nominated as the best singer at the 2011 Brazilian Music Awards and winner as the best Samba album.

American musician Tyler, The Creator rapped over Neves's song "Jornada" on his song "Lone" from his album Wolf, released on April 2, 2013.

In 2016, he appeared in a segment of Rio 2016 opening ceremony with Caetano Veloso, Gilberto Gil and Anitta.

== Death ==

In the later years, although still active he battled cancer. He died at Hospital da Ilha do Governador, in Rio de Janeiro.

== Discography ==

(S/D) Juventude 2000 • LP

(2013) Se me chamar, ô sorte • MP, B Discos/ Universal Music • CD

(2010) Pra gente fazer mais um samba • MP, B/ Universal • CD

(2010) Que Beleza (c/ grupo Ipanema) • Far Out (Inglaterra) • CD

(2006) Samba de Gringo 2 (Bina & Ehud)

(2004) Brasão de Orfeu • Selo Acari Records/Biscoito Fino • CD

(2001) Quintal do Pagodinho • Universal Music • CD

(2001) Brasileira • Independente • CD

(2001) Nome sagrado-Beth Carvalho canta Nelson Cavaquinho • Jam Music • CD

(2001) Coisa de chefe • Carioca Discos/Rob Digital • CD

(1999) The return of The Ipanemas • Far Out (Inglaterra) • CD

(1996) O som sagrado de Wilson das Neves • CID • CD

(1976) O som quente é o das Neves • Underground/Copacabana • LP

(1970) Samba Tropi-Até aí morreu Neves • Elenco/Philips • LP

(1969) O som quente é o das Neves • Polydor • LP

(1968) Baterista: Wilson das Neves (Elza Soares) • Odeon • LP

(1964) Os Ipanemas • LP

== References ==

== External links ==

Biscoito Fino

Acari Records

Wilson das Neves Discogs entry

The Ipanemas Discogs entry

Far Out Recordings

Source: Wikipedia ↗

No biography available for this artist.

Claudio Roditi (May 28, 1946 – January 17, 2020) was a Brazilian jazz trumpeter. In 1966 Claudio was named a trumpet finalist at the International Jazz Competition in Vienna, Austria. While in Vienna, Roditi met Art Farmer, one of his idols, and the friendship inspired the younger trumpeter to follow a career in jazz.

== Biography ==

Roditi came to the United States in 1970 to study at the Berklee School of Music in Boston. In 1976 he moved to New York City, where he played with Herbie Mann and Charlie Rouse. In the 1980s he worked with Paquito D'Rivera. He was a member of Dizzy Gillespie's United Nations Orchestra.

Roditi received a 52nd Annual Grammy Awards (2009) nomination in the category Best Latin Jazz Album for Brazillance X 4. He was also the featured soloist on Atras Da Porta from Symphonic Bossa Nova (Ettore Stratta conducting the Royal Philharmonic Orchestra), for which Jorge Calandrelli received an arranger nomination at the 38th Annual Grammy Awards (1995).

His first album as a leader, Red On Red was released in 1984 on Creed Taylor's Greene Street label, an imprint of CTI Records.

Roditi often performed on the rotary valve trumpet. He died of cancer in 2020 at the age of 73.

== Discography ==

=== As leader ===

Red on Red (Greene Street; CTI Records 1984)

Claudio! (Uptown, 1985)

Gemini Man (Milestone, 1988)

Slow Fire (Milestone, 1989)

Two of Swords (Candid, 1991)

Milestones (Candid, 1992)

Day Waves (JSR, 1992)

Jazz Turns Samba (Groovin' High, 1994)

Free Wheelin (Reservoir, 1994)

Samba Manhattan Style (Reservoir, 1995)

Mind Games – Live (GLM Musikverlag, 1996)

Claudio, Rio & Friends (Groovin' High, 1996)

Claudio Roditi and the Metropole Orchestra (Mons, 1996)

Double Standards (Reservoir, 1997)

Light in the Dark (Nagel Heyer, 2004)

Impressions (Groovin' High, 2006)

Brazilliance (Resonance, 2009)

Simpatico (Resonance, 2010)

Bons Amigos (Resonance, 2011)

With Klaus Ignatzek, Jean-Louis Rassinfosse

Three for One (Nagel Heyer, 2002)

Light in the Dark (Nagel Heyer, 2004)

Smile (Nagel Heyer, 2005)

Reflections (Nagel Heyer, 2005)

Beyond Question (Nagel Heyer, 2009)

For a Long Time (HGBS, 2014)

=== As sideman ===

With Greg Abate

Straight Ahead (Candid, 1993)

Bop Lives! (Blue Chip, 1996)

Horace Is Here (Koko, 2005)

With Michael Carvin

First Time (Muse, 1988)

Between Me and You (Muse, 1989)

Each One Teach One (Muse, 1994)

With Chris Connor

Classic (Contemporary, 1987)

New Again (Contemporary, 1988)

With Dizzy Gillespie

Live at the Royal Festival Hall (Enja, 1990)

To Diz with Love (Telarc, 1992)

With Klaus Ignatzek

Don't Stop It! (Timeless, 1987)

Jacaranda (Timeless, 1988)

New Surprise (Timeless, 1989)

Eight Languages (1989)

The Answer! (Candid, 1993)

Silent Horns (Candid, 1995)

Live (Acoustic Music, 1996)

African Flower (Acoustic Music, 1997)

Today Is Tomorrow (Nabel, 2002)

With Herbie Mann

Sunbelt (Atlantic, 1978)

Mellow (Atlantic, 1981)

Jasil Brazz (RBI, 1987)

65th Birthday Celebration (Lightyear 1997)

With Mark Murphy

Night Mood (Milestone, 1986)

I'll Close My Eyes (Muse, 1994)

With Paquito D'Rivera

Live at Keystone Korner (Columbia, 1983)

Why Not! (Columbia, 1984)

Explosion (Columbia, 1986)

Manhattan Burn (Columbia, 1987)

Celebration (CBS, 1988)

Return to Ipanema (Town Crier, 1989)

Who's Smoking?! (Candid, 1992)

La Habana-Rio-Conexion (Messidor, 1992)

A Night in Englewood (1994)

Brazilian Dreams (2002)

With Charlie Rouse

Cinnamon Flower (Douglas, 1977)

Soul Mates (Uptown, 1993)

With David Schnitter

Goliath (Muse, 1978)

Glowing (Muse, 1981)

With McCoy Tyner

Double Exposure (LRC, 1991)

Blue Bossa (LRC, 1991)

Autumn Mood (1997)

McCoy Tyner and the Latin All-Stars (Telarc, 1999)

Afro Blue (2007)

With others

Kenny Barron, Kenny Barron & the Brazilian Knights (EmArcy, 2013)

Ricky Ford, Hot Brass (Candid, 1992)

Michael Franks, Tiger in the Rain (Warner Bros., 1979)

Jimmy Heath, Little Man Big Band (Verve, 1992)

Buddy Montgomery, Ties of Love (Landmark, 1987)

Horace Silver, The Hardbop Grandpop (Impulse!, 1996)

Flavio Chamis, Especiaria (Biscoito Fino, 2007)

Jessica Medina, Azul (Jessica Medina, 2007)

== References ==

== External links ==

A Claudio Roditi biography

Claudio Roditi on Resonance Records

Calaudio Roditi discogs entry and release listing

Source: Wikipedia ↗