Records

Rosinha De Valença – Rosinha De Valença

Rosinha De Valença

Rosinha De Valença

Som Livre · 403.6029 · Brazil

Played 3 times on Passolio by Passolio.

Tracklist

A1Caboclo Ubiratan
Credits
Adapted ByRosinha De Valença
A2Valsa De Euridice
Credits
Written-ByVinicius De Moraes
A3Bala Com Bala
Credits
Written-ByAldir Blanc
Written-ByJoão Bosco
A4After Sunrise
Credits
Written-ByOscar Castro-Neves
Written-BySebastião Neto
A5Asa Branca
Credits
Written-ByHumberto Teixeira
Written-ByLuiz Gonzaga
B1Araponga
Credits
Written-ByRosinha De Valença
B2Xaxado Prá Espantar Tristeza
Credits
Written-ByMarilia Medalha
Written-ByVinicius De Moraes
B3Cuica
Credits
Written-ByRosinha De Valença
B4Porto Das Flores
Credits
Written-ByRosinha De Valença
B5Morena Do Mar
Credits
Written-ByDorival Caymmi
Release Credits
Coordinator [Coordenação Geral]João Araujo
Photography By [Foto Da Capa]Yann Trequesser
Producer [Produção]João Mello
Companies
Record CompanySigla - Sistema Globo De Gravações Audiovisuais Ltda.
Recorded AtStudio Somil
Manufactured ByRCA Eletrônica Ltda.
Notes
1974-76 reissue mfg by RCA Eletrônica Ltda., with a 9-digit CGC number on labels rim text. The cover artwork from the first edition, including the sticker, was reused with the catalog number on the front replaced and the original manufacturer's name removed from the back cover. (P)1973

About this record

Rosinha de Valença is a 1973 album recorded by the Brazilian musician Rosinha de Valença. Produced by João Melo, this album was released simultaneously in Brazil, for Som Livre, and in France, for Barclay. The album includes famous Brazilian popular songs, such as "Asa branca", by Luiz Gonzaga and Humberto Teixeira, "Valsa de Eurídice", by Vinicius de Moraes, and "Morena do mar", by Dorival Caymmi.

After a long period of neglect, this album was reissued on CD in 2002, as one of the works included in Som Livre Master series, organized by Charles Gavin.

== Track listing ==

== Personnel ==

Rosinha de Valença: acoustic guitar

The band who plays in this album is unknown. There is no information about the musicians who joined Rosinha de Valença's band.

== References ==

== External links ==

Allmusic

Source: Wikipedia ↗

Biography: Rosinha De Valença

Maria Rosa Canelas (July 30, 1941 – June 10, 2004), better known as Rosinha de Valença (), was a Brazilian composer, arranger and musician. She is considered one of the best acoustic guitarists in Brazilian music and played with many famous artists, including Baden Powell, Sérgio Mendes, Sylvia Telles and Sivuca.

== Biography ==

Maria Rosa Canelas was born in 1941, in Valença, Rio de Janeiro, Brazil. She became interested in playing acoustic guitar as a child, after seeing her brother playing it. She taught herself by listening to music on the radio. At 12 years old, she played along with many artists from her home town, in bars and on Radio Valença. In 1960, she stopped studying to devote herself to a musical career. The first years were difficult for her as a musician. Her family did not like the idea of her playing guitar and when she started her career, there was little public recognition.

In 1963, Valença moved to Rio de Janeiro. There she met Sérgio Porto, a journalist from Rio de Janeiro. He created her artistic name, describing Canelas as playing for her whole city. So, he called her Rosinha de Valença. He introduced her to Baden Powell and Aloísio de Oliveira, a producer with Gravadora Elenco. Powell started playing with her – in the new way of playing guitar in Brazilian music. Oliveira liked her work and invited her to record an album. It was named Apresentando Rosinha de Valença and was released in that same year. After it, she was invited to play for eight months in the Bottle nightclub and to perform in TV shows and on the radio. One year later, she performed in the big show O Fino da Bossa, at the Teatro Paramount in São Paulo. She also played with Nara Leão and Quarteto em Cy.

In that same year, 1964, she travelled to the United States to play with Sérgio Mendes and Brasil '65. During this 8-month tour, Valença recorded two albums with Mendes and his band. In 1965, she travelled to Europe as soloist with a Brazilian group. This band visited and performed in 24 countries in Europe and Japan. In 1968, Valença travelled again for a long tour which ended in 1971, when she came back to Brazil. During these years, Valença visited USSR, Israel, Switzerland, Italy, Portugal, and some African countries. She also played with Stan Getz, Sarah Vaughan and Henry Mancini.

Back in Brazil, she played with Martinho da Vila, contributing to four of his albums. In 1974, after another tour abroad, Valença organized her own band, which was composed of famous artists, such as João Donato, Copinha, Ivone Lara and Miúcha. In 1977, she performed with Sivuca, recording a live album with him, name Sivuca e Rosinha de Valença ao vivo. Another notable album was with Waltel Blanco, Violões em dois estilos, released in 1980.

Valença's musical career was ended prematurely in 1992 due to health problems: she suffered brain damage due to a heart attack. She died of respiratory failure in 2004, in her hometown, after 12 years in a vegetative state.

== Legacy ==

After Valença went into a coma, many artists recorded her songs as tribute to her.

In 2000, Valença was honored by a benefit concert, organized by Jalusa Barcellos, member of Secretaria Estadual de Cultura, and presented by Sérgio Cabral. This event was named Uma noite para Rosinha (One night for Rosinha), with Haroldo Costa as general director, and Jorge Simas as musical director. Among the many contributing notable artists were Beth Carvalho, Dona Ivone Lara, Francis Hime, Olívia Hime, João Nogueira, Joyce, Leci Brandão, Miúcha, MPB-4, Paulinho da Viola and Quarteto em Cy.

After Valença's death, Maria Bethânia produced the album Namorando a Rosa, co-produced by Miúcha. The album was contributed to by many friends and professional fellows of Valença: Martinho da Vila, Ivone Lara, Alcione, Miúcha, Caetano Veloso, Chico Buarque, Joanna, Bebel Gilberto, Hermeto Pascoal, Turíbio Santos and Yamandu Costa. Each artist recorded a song composed by Valença, and recalled their relationship with the guitarist.

Valença's songs have been covered by Martinho da Vila, Joanna, Zezé Motta, Rui Maurity, Tito Madi, Nana Caymmi, César Camargo Mariano, Wanderléa, Leci Brandão, Maria Bethânia and Paulinho Nogueira.Her version of George Gershwin's "Summertime" was used as a sample by the rapper Tyler, the Creator on the track "Tomorrow", from the album Chromakopia.

== Discography ==

=== Studio albums ===

1964: Apresentando Rosinha de Valença (Elenco)

1970: Rosinha de Valença apresenta Ipanema Beat (RCA Victor)

1971: Um violão em primeiro plano (RCA Victor)

1973: Rosinha de Valença (Som Livre)

1976: Cheiro de Mato' (Odean)

1980: Violões em dois estilos (Som Livre), with Waltel Branco

1990: Rosinha de Valença & Flavio Faria (feat. Toots Thielemans; Iris Music)

=== Live albums ===

1966: Rosinha de Valença ao vivo (Forma)

1975: Rosinha de Valença e banda ao vivo (Odeon)

1977: Sivuca e Rosinha de Valença ao vivo (RCA Pure Gold), with Sivuca

=== As contributor ===

1965: Bud Shank & His Brazilian Friends (Pacific Jazz) by Bud Shank, with João Donato

1965: Brasil 65 (Capitol), by Wanda de Sah featuring Sérgio Mendes Trio

1965: In person at El Matador (Atlantic), by Sérgio Mendes and Brasil '65

== References ==

Source: Wikipedia ↗

Elsewhere

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